Schläder, Jürgen

Overview

Works:	88 works in 169 publications in 2 languages and 1,453 library holdings
Genres:	Conference papers and proceedings Criticism, interpretation, etc History Operas Bibliographies Music Festschriften Drama
Roles:	Editor, Author, Contributor, dgs, Other, în, Creator, Arranger
Classifications:	M1500.S67, 782.1

Publication Timeline

Most widely held works by Jürgen Schläder

Festschrift Heinz Becker : zum 60. Geburtstag am 26. Juni 1982 by Heinz Becker( Book )

8 editions published in 1982 in German and held by 140 WorldCat member libraries worldwide

Undine auf dem Musiktheater : zur Entwicklungsgeschichte der deutschen Spieloper by Jürgen Schläder( Book )

12 editions published in 1979 in German and Undetermined and held by 120 WorldCat member libraries worldwide

Jessonda by Louis Spohr( Recording )

1 edition published in 1991 in German and held by 94 WorldCat member libraries worldwide

Jessonda: Grosse Oper in drei Akten. Libretto: Eduard Heinrich Gehe

Das Opernduett : ein Szenentypus des 19. Jahrhunderts und seine Vorgeschichte by Jürgen Schläder( Book )

6 editions published in 1995 in German and held by 83 WorldCat member libraries worldwide

"Der moderne Komponist baut auf der Wahrheit" : Opern des Barock von Monteverdi bis Mozart by Hanspeter Krellmann( Book )

3 editions published in 2003 in German and held by 75 WorldCat member libraries worldwide

Die Barock-Oper - lange Zeit von den Bühnen verbannt, erlebt inzeischen wieder eine neue Blüte. Von der Geburt des Genres um 1600 in Florentiner Adels- und Gelehrtenkreisen bis zu Mozarts "Zauberflöte" aus dem Jahr 1791 porträtiert der Band die interessantesten barocken Opern und zentrale Werke. Der Bogen reicht von Monteverdi über Purcell und Händel bis zu Mozart, bei dem die barocke Form ihre volle Pracht entfaltet. Namhafte Opernkenne liefern spannende Beiträge zu den 16 wichtigsten Musikdramen

AngstBilderSchauLust Katastrophenerfahrungen in Kunst, Musik und Theater( Book )

4 editions published in 2007 in German and held by 72 WorldCat member libraries worldwide

"Die Wirklichkeit erfinden ist besser" Opern des 19. Jahrhunderts von Beethoven bis Verdi by Hanspeter Krellmann( )

7 editions published in 2002 in German and held by 65 WorldCat member libraries worldwide

Von Beethoven bis Verdi. Der Band beleuchtet anhand wichtiger Komponisten und 26 zentraler Werke die Entwicklung der Operngeschichte im 19. Jahrhundert. Dabei erhält der Leser facettenreiche Einblicke in Struktur, Dramaturgie und Musik der behandelten Opern. Eine individuelle Operngeschichte mit erhellendem Blick auf die Hauptwerke des Musiktheaters im 19. Jahrhundert

OperMachtTheaterBilder : neue Wirklichkeiten des Regietheaters( Book )

7 editions published in 2006 in German and held by 65 WorldCat member libraries worldwide

Nationaltheater : die Bayerische Staatsoper( Book )

4 editions published in 1992 in German and held by 62 WorldCat member libraries worldwide

Das Experiment der Grenze : ästhetische Entwürfe im Neuesten Musiktheater( Book )

6 editions published in 2009 in German and held by 61 WorldCat member libraries worldwide

Giacomo Meyerbeer, Musik als Welterfahrung : Heinz Becker zum 70. Geburtstag( Book )

5 editions published in 1995 in German and held by 57 WorldCat member libraries worldwide

Werner Egk : eine Debatte zwischen Ästhetik und Politik( Book )

4 editions published between 2008 and 2019 in German and held by 51 WorldCat member libraries worldwide

Tradition mit Zukunft : 100 Jahre Prinzregententheater München by Jürgen Schläder( Book )

4 editions published in 1996 in German and held by 50 WorldCat member libraries worldwide

Münchner theatergeschichtliches Symposium 2000 by Münchner Theatergeschichtliches Symposium( Book )

2 editions published in 2000 in German and held by 49 WorldCat member libraries worldwide

Wie man wird, was man ist die Bayerische Staatsoper vor und nach 1945 by Jürgen Schläder( Book )

3 editions published in 2017 in German and held by 47 WorldCat member libraries worldwide

Die Bayerische Staatsoper setzt weltweit Maßstäbe hinsichtlich musikalischer Qualität und szenischer Interpretation. Den wichtigsten Entwicklungsabschnitt in ihrer Geschichte bilden die drei Jahrzehnte zwischen 1933 und 1963. Ein For- schungsteam der Ludwig-Maximilians-Universität München beleuchtet in diesem Symposiumsband die Kontinuitäten und Brüche jener entscheidenden Zeit - von der NS-Machtübernahme über die Zerstörung des Nationaltheaters im Zweiten Weltkrieg bis zur Wiederöffnung 1963

Inszenierungen : Theorie, Ästhetik, Medialität : [ausgewählte Beiträge des Kongresses "Ästhetik der Inszenierung", Oper Frankfurt]( Book )

5 editions published in 2002 in German and held by 46 WorldCat member libraries worldwide

"Theater ist ein Traumort" : Opern des 20. Jahrhunderts von Janáček bis Widmann( Book )

4 editions published in 2005 in German and held by 40 WorldCat member libraries worldwide

Vision und Tradition : 200 Jahre Nationaltheater in München : eine Szenographiegeschichte by Jürgen Schläder( Book )

3 editions published in 2018 in German and held by 39 WorldCat member libraries worldwide

PerformingInterMediality mediale Wechselwirkungen im experimentellen Theater der Gegenwart ; [mit DVD]( Book )

5 editions published in 2010 in German and Undetermined and held by 30 WorldCat member libraries worldwide

Vasco de Gama by Giacomo Meyerbeer( Recording )

1 edition published in 2014 in French and held by 26 WorldCat member libraries worldwide

Meyerbeer called the opera completed by him four months prior to his death Vasco de Gama, but it came to be known to posterity as L'Africaine (The African Woman). Now how did this happen? Meyerbeer had been working on the opera since 1837, and L'Africaine was its original title. Eugène Scribe's libretto told the story of an African princess who unhappily falls in love with a Portuguese naval officer. After some initial enthusiasm Meyerbeer soon had his doubts about the subject. Years of revision and rejection followed. It was not until 1849, following Le Prophète, that he resumed his work on it. The Portuguese seafarer now became the historical explorer Vasco da Gama. Since he had discovered the sea route to India, the setting had to be transferred from Africa to India. As a result, Meyerbeer changed the opera's title: Vasco de Gama. The composer died prior to the rehearsals. The musicologist Joseph de Fétis subsequently examined the existing material, introducing some unfortunate changes and greatly abridging it. He was of the opinion that the work had to be presented to the music world with the title as promised: L'Africaine. And this meant that scenes featuring Indian worship of Brahma were set in Africa! The critical edition by Jürgen Schläder formed the basis of our studio production (here no live recording!) of the acclaimed Chemnitz production and now for the first time enables us to catch a glimpse of Meyerbeer's intentions