Bracht, Roland
Works: | 172 works in 413 publications in 8 languages and 4,840 library holdings |
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Genres: | Operas Excerpts Live sound recordings Drama Internet videos Oratorios Musical settings Arrangements (Music) Librettos Nonfiction television programs |
Roles: | Performer, Singer, Other, Author, Vocalist, Instrumentalist, Musician, b=b |
Classifications: | M1500, 782.1 |
18 editions published between 1981 and 2009 in 5 languages and held by 609 WorldCat member libraries worldwide
18. Jahrhundert; Oper
8 editions published between 1982 and 2001 in German and held by 551 WorldCat member libraries worldwide
28 editions published between 1980 and 2016 in 3 languages and held by 449 WorldCat member libraries worldwide
Under James Levine's thrilling direction the famous Met Orchestra is at its best in this first installment of Wagner's Ring cycle. From the dark, mysterious beginning in the depths of the Rhine River to the blazing end as the gods cross the rainbow bridge into their new home of Valhalla, this is a searing performance. James Morris is the commanding Wotan, the god who thinks he has everything under control, even as he unwittingly sows the seeds of his own destruction
9 editions published between 1983 and 1990 in 4 languages and held by 417 WorldCat member libraries worldwide
A William Butler Yeats translation of Oedipus Rex performed by the Shakespearean Festival Players under the direction of Tyrone Guthrie.-
6 editions published between 1984 and 1987 in German and held by 379 WorldCat member libraries worldwide
8 editions published between 2004 and 2009 in German and Undetermined and held by 314 WorldCat member libraries worldwide
2 editions published in 2000 in German and held by 295 WorldCat member libraries worldwide
5 editions published between 1981 and 2004 in German and held by 177 WorldCat member libraries worldwide
This much-loved opera is a blend of rustic humor and a dash of the supernatural
9 editions published between 1981 and 2002 in German and held by 133 WorldCat member libraries worldwide
Zu Hilfe! Zu Hilfe! -- Der Vogelfänger bin ich ja -- Dies Bildnis ist bezaubernd schön -- O zittre nicht, mein lieber Sohn! -- Hm, hm, hm ... (Quintet) -- Bei Männern, welche Liebe fühlen -- Wei stark ist nicht dein Zauberton -- O Isis und Osiris -- Wie? Wie? Wie? (Quintet) -- Alles fühlt der Liebe Freuden -- Der Hölle Rache -- Ach, ich fühl's -- Ein Mädchen oder Weibchen -- Papageno-Papagena duet -- Die Strahlen der Sonne vertreiben die Nacht
4 editions published in 2006 in Italian and held by 106 WorldCat member libraries worldwide
Stage production of Mozart's final opera, which entails a tale of passion, betrayal, and forgiveness
8 editions published between 2005 and 2006 in Italian and French and held by 87 WorldCat member libraries worldwide
Stage production of Mozart's final opera, which entails a tale of passion, betrayal, and forgiveness
14 editions published between 1999 and 2014 in German and Undetermined and held by 82 WorldCat member libraries worldwide
Belmonte, a Spanish nobleman, arrives at the palace of Pasha Selim to seek his beloved Konstanze in order to rescue her from the hands of the Pasha
7 editions published between 2003 and 2014 in 3 languages and held by 78 WorldCat member libraries worldwide
Performed at the Opera of Stuttgart, Twilight of the Gods, the last day of the Tetralogy, reveals another side to the Wagnerian mythology. "Four operas, four directors." The response to this singular artistic idea is Wagner's Tetralogy produced in 2000 on the stage of the Stuttgart Opera under the direction of Austrian conductor Lothar Zagrosek and filmed in 2002-2003. The Rhinegold (the Prologue) was entrusted to Joachim Schlömer, The Valkyrie to Christof Nel, Siegfried to Jossi Wieler and Sergio Morabito, and lastly the last day of the Ring, the Twilight of the Gods to Peter Konwitschny, a German of Polish extraction, a regular singer of Wagnerian works who directed Tannhäuser, Lohengrin, Tristan and The Mastersingers of Nuremberg. Iconoclastic and experimental, this Tetralogy created a sensation, until this Twilight of the Gods. Peter Konwitschny brings together characters in suits and ties and others in animal hides, which reveals the Wagnerian mythology from an ironic perspective. However, he does so to explore things in greater depth and to recapture the truth of the Wagnerian gesture and not out of gratuitous provocation. The fall of the gods and the decline of the order they embody are real, so is the emotion. Musically the conductor and the orchestra performed perfectly, and vocally the cast represented a challenge. Peter Konwitschny raises his head with joy when applauded by an audience seduced in spite of being slightly shocked
2 editions published in 2003 in German and held by 74 WorldCat member libraries worldwide
With a contemporary feel, this unique production casts Wotan as a coolly calculating businessman, with his wife a director on the board. Recorded live at the Staatsoper Stuttgart, December 2002, directed by Joachim Schlomer
4 editions published in 2004 in German and held by 71 WorldCat member libraries worldwide
The fourth part in a unique and contemporary production of Wagner's Germanic epic, the "Ring of the Nibelung."
6 editions published between 2005 and 2007 in German and Undetermined and held by 71 WorldCat member libraries worldwide
An incomparable but obsessive goldsmith is a suspect in a rash of mysterious murders. The opera was first performed in 1926
2 editions published in 2008 in Czech and held by 69 WorldCat member libraries worldwide
Elusive and always insolently free, even when the forester chains her up and the schoolmaster in his inevitable cups believes he is pursuing Terynka, this little vixen is a will-o'-the-wisp whose flashing russet, wherever it blazes, revives the smart of their ancient desires and departed loves in the hearts of men. In a community living as close to the natural state and its prodigies as it is imaginable to be, no other creature better personifies the life-force which demands that we accept the implacable cycle of Nature, encompassed between the extremities of birth and death. Leoš Janáček's The Cunning Little Vixen was described by its composer as "a comic opera with a sad ending." It is a profoundly poetic tale for which the composer wrote some wonderful, life-enriching music that is magnificently orchestrated. "His music is quite simply overwhelmingly moving," says André Engel, who, working with an outstanding cast, directed a new production of this fascinating work for the Paris Opéra
1 edition published in 2005 in French and held by 68 WorldCat member libraries worldwide
Through this documentary, we can discover the backstage of a very special opera by Wolfgang Amadeus Mozart: La clemenza di Tito. The masterpiece was given in the Palais Garnier (Paris) in 2005 with great singers such as Susan Graham (Sesto) or Christoph Prégardien (Tito). All the people who participated to the production are given an opportunity to explain their vision of the work. A unique occasion for us to understand why this work was considered as provocative, or why the musical aspect of the composition is so modern
1 edition published in 2006 in French and held by 68 WorldCat member libraries worldwide
Opera buffa in four acts (1786), Music by Wolfgang Amadeus Mozart, Libretto by Lorenzo da Ponte after Le Mariage de Figaro by Pierre-Augustin Caron de Beaumarchais Mozart's famous opera is here given a modern interpretation while staying faithful to the original score and libretto, which proves the timeless nature of this story, originally written for theater by Beaumarchais. The action takes place in the wedding office of a city hall. Actors are dressed in modern costumes and use our everyday life accessories: Susanna listens to her walkman during Cherubino's aria and Count Almaviva uses his recliner as a seduction tool! The most striking element of this staging is perhaps the "recitativist," a concept invented Christoph Marthaler to transmit the importance of Da Ponte's texts. Recitatives are not played on harpsichord but on an electronic keyboard that is on the stage and alternates from the classical sound of the harpsichord to the harmonica, accordion or even sound effects
5 editions published in 1981 in German and Undetermined and held by 62 WorldCat member libraries worldwide
This abridged English-language version of Mozart's immortal opera, seen at the Met as the annual holiday presentation for families, is conducted by renowned Mozartian Jane Glover. Alek Shrader stars as Tamino, the young prince who finds himself on a quest to rescue and win the beautiful Pamina, sung by Heidi Stober. Nathan Gunn is Tamino's companion, the birdcatcher Papageno, and Eric Owens sings Sarastro, the man who holds Pamina captive--to protect her from her mother, the evil Queen of the Night, sung by Kathryn Lewek
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General | Special |
- Mozart, Wolfgang Amadeus 1756-1791 Creator Author Musician Composer
- Bayerischer Rundfunk Orchester Performer Instrumentalist
- Bayerischer Rundfunk Chor Singer Performer Instrumentalist
- Jerusalem, Siegfried Singer Performer Instrumentalist
- Zednik, Heinz Singer Performer
- Popp, Lucia Other Singer Performer Instrumentalist
- Haitink, Bernard 1929-2021 Conductor Performer
- Brendel, Wolfgang Singer Performer Instrumentalist
- Lindner, Brigitte Singer Performer
- Gruberova, Edita 1946-2021 Other Singer Performer Instrumentalist
Italian (11)
French (5)
Latin (5)
English (2)
Czech (2)
Multiple languages (1)
Miscellaneous languages (1)