WorldCat Identities

Vassiliev, Alexander 1971-

Overview
Works: 16 works in 36 publications in 5 languages and 1,359 library holdings
Genres: Drama  Musical settings  Operas  Live sound recordings  One-act operas  Internet videos  Overtures  Songs and music  Music  Documentary films 
Roles: Performer, Singer
Classifications: M1500.S89, 782.1
Publication Timeline
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Most widely held works by Alexander Vassiliev
Lady Macbeth of Mtsensk : opera in four acts by Dmitriĭ Dmitrievich Shostakovich( Visual )

8 editions published in 2006 in Russian and held by 437 WorldCat member libraries worldwide

Updated to the end of the Communist era in the 1970s or 1980s, tells the story of a bored housewife living in brutal conditions who resorts to murder to marry the man she wants
Chamisso-Variationen by E. N. von Reznicek( )

3 editions published in 2007 in German and held by 292 WorldCat member libraries worldwide

Salome by Richard Strauss( )

1 edition published in 2018 in German and held by 264 WorldCat member libraries worldwide

A dark Biblical tale of hubris, lust, and self-destruction, written in the inimitable voice of Oscar Wilde. The beautiful Salomé is King Herod's stepdaughter, who helps her mother Herodias exact a gruesome revenge on the prophet John the Baptist
The tsarina's slippers = Cherevichki by Peter Ilich Tchaikovsky( Visual )

6 editions published in 2010 in Russian and held by 85 WorldCat member libraries worldwide

"Based on Gogol's fantastical and comic story of the Devil's antics on Christmas Eve, this magical opera is brought vividly to life in Francesca Zambello's vibrant production"--Container
Lady Macbeth of Mtsensk by Dmitriĭ Dmitrievich Shostakovich( Visual )

1 edition published in 2006 in Russian and held by 67 WorldCat member libraries worldwide

Shostakovich's subversive opera directed for stage by Martin Kušej for the composer's 100th birthday! Featuring the Dutch soprano Eva-Maria Westbroek in the title role, and making her long awaited debut at Der Nederlandse Opera! In Shostakovich's second opera, the tedium of everyday Russian life determines the fate of protagonist Katerina Ismailova. It is a work about the irrepressible nature of sexual urges, about erotic deeds of violence and liberation. Some of the scenes reached an unheard-of level of explicitness and were likely to have shocked the first audiences, but the work as a whole is an ode to love. The composer employs a polymorphic style with a wide variety of collage-like elements, but classical structures are clearly recognizable as well. The work's initial success was silenced by the publication of an official denunciation of the opera in the official Communist Party newspaper Pravda; this attack heralded a merciless, widespread and long-lasting idealistic clampdown on the Soviet music world. In 2006, Der Nederlandse Opera in Amsterdam programmed Shostakovich's Lady Macbeth of Mtsensk in commemoration of the 100th anniversary of the composer's birth. Mariss Jansons, chief conductor of the Royal Concertgebouw Orchestra, and one of the best-known conductors for Shostakovich's scores, made here his first appearance as guest conductor at DNO. This new production was directed for stage by the Austrian Martin Kušej, who belongs to the new generation of stage and opera directors, having made a name for himself at the Salzburger Festspiele and Staatstheater Stuttgart. While the divine soprano Eva-Maria Westbroek makes her debuts at the DNO as Katerina Lvovna Ismailova, the opera's veterans take the remaining lead roles: the Russian bass Anatoly Kotcherga (Boris Timofeyevich Ismailov), the Slovak tenor Ludovit Ludha (Zinovy Borisovich Ismailov) and the British tenor Christopher Ventris (Sergei)
Jenůfa( Visual )

1 edition published in 2014 in Czech and held by 67 WorldCat member libraries worldwide

A splendid Jenůfa, one of Janáček's best-known operas, here directed for stage by Alvis Hermanis and conducted by Ludovic Morlot at La Monnaie / Die Munt in Brussels. Premiered in Brno in 1904, Jenůfa was written after a play by Gabriela Preissová. It is a turning point in Janáček's stylisitic evolution: breaking off with the German operatic tradition, Janáček drew his inspiration from the natural inflexions of the spoken language, as well as from the rhythms and harmonies of the Czech folk repertoire. A genuine pioneer in the scientific study of the popular legacy, even before Zoltán Kodály and Béla Bartók, Leoš Janáček integrated in his own language the essence of the traditional music, without falling into pastiche or mere quotation. The particularity of his style lies in an extremely individual manner, as well as in the descriptive abilities of his musical language: popular reminiscences evoke a social frame, while the harshness of the orchestra depicts a greedy and brutal society. Indeed, Jenůfa bears witness of the social violence within a small village in Moravia. Two brothers, Števa et Laca, ruin Jenůfa's life because of their crual and irresponsible behaviour. The former has seduced and abandoned the young woman, after making her pregnant. The latter, in love with Jenůfa, disfigures the young woman's face with his knife out of jealousy. The birth of the young child does not make anything better. Števa still refuses to take responsibility for the consequences of his actions. Laca agrees to marry Jenůfa, though he does not like the idea of raising his brother's child. In order to comfort him, Kostelnička, Jenůfa's adoptive mother, tells him that the child is dead. A lie which leads to a sinister infanticide ... Jenůfa is not only a work that depicts the violence of a human drama stemming from the main characters' selfishness and the fear of a social opprobrium. It also bears witness of the composer's own distress at the time of composition, when he saw his daughter die from typhus. "I would bind Jenůfa with the black ribbon of the long illness, pain and sighing of my daughter Olga and my little boy Vladimir." Next to la Monnaie's chief conductor Ludovic Morlot, the Latvian stage director and actor Alvis Hermanis, one of the leading figures on the European contemporary scene, here makes his début at la Monnaie. This opera was first broadcast on medici.tv in January 2014 and is now part of the medici.tv catalogue, available by subscription
Ivan IV by Georges Bizet( Recording )

2 editions published in 2002 in Undetermined and French and held by 60 WorldCat member libraries worldwide

Le coq d'or = The golden cockerel by Nikolay Rimsky-Korsakov( Visual )

3 editions published in 2018 in Russian and held by 24 WorldCat member libraries worldwide

The old Tzar Dodon, tired of ruling his country, manipulated by his political advisors - among which the obscure Astrologer, and showing little interest in protecting his kingdom against foreign agression, relies on a magic Golden Cockerel to warn him in case of an attack. But when the Cockerel tells him of his own defeat, the Tzar quickly falls in love with his enemy, the beautiful Tzaritza of Shemakha, who easily convinces him to surrender his empire by making him propose to her
Tracking Edith( Visual )

1 edition published in 2017 in English and held by 16 WorldCat member libraries worldwide

Tells the story of a socially engaged, known Austrian/British photographer who led a double life as a secret agent for the KGB
Chamber music by Georgiĭ Sviridov( Recording )

2 editions published in 1995 in Russian and held by 16 WorldCat member libraries worldwide

Rachmaninov troika by Sergei Rachmaninoff( Visual )

2 editions published in 2016 in Russian and held by 15 WorldCat member libraries worldwide

Memento vivere : complete songs by Rudi Stephan( Recording )

2 editions published in 2012 in German and held by 12 WorldCat member libraries worldwide

Zolotoj petušok = Le coq d'or = The golden cockerel( Visual )

1 edition published in 2018 in Russian and held by 1 WorldCat member library worldwide

Zolotoj petušok( Visual )

1 edition published in 2018 in Russian and held by 1 WorldCat member library worldwide

Nelli by Aleksandr Barykin( Recording )

1 edition published in 2006 in Russian and held by 1 WorldCat member library worldwide

Bruckner Mass No. 3 : 15 Oct 2016, Sat( Book )

1 edition published in 2016 in English and held by 1 WorldCat member library worldwide

 
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Audience Level
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  General Special  
Audience level: 0.43 (from 0.12 for Bruckner M ... to 0.83 for Zolotoj pe ...)

Alternative Names
Vasilʹev, Aleksandr 1971-

Vasiliev, Alexander 1971-

Vassiliev, Alexander.

Vassiliev, Alexandre.

Vassiliev, Alexandre 1971-

Languages
Russian (25)

German (6)

English (2)

French (1)

Czech (1)