Poulson, Lani
Overview
| Works: | 78 works in 187 publications in 8 languages and 3,660 library holdings |
|---|---|
| Genres: | Operas Live sound recordings Drama Internet videos Filmed performances Art music Studio recordings Songs Symphonies Musical settings |
| Roles: | Performer, Singer, Other, Author, Vocalist |
| Classifications: | M1500, 782.1 |
Publication Timeline
.
Most widely held works by
Lani Poulson
Vocal works with orchestra by
Hector Berlioz(
)
10 editions published between 2003 and 2018 in 3 languages and held by 467 WorldCat member libraries worldwide
10 editions published between 2003 and 2018 in 3 languages and held by 467 WorldCat member libraries worldwide
Lady Macbeth of Mtsensk : opera in four acts by
Dmitriĭ Dmitrievich Shostakovich(
Visual
)
10 editions published in 2006 in Russian and held by 440 WorldCat member libraries worldwide
Updated to the end of the Communist era in the 1970s or 1980s, tells the story of a bored housewife living in brutal conditions who resorts to murder to marry the man she wants
10 editions published in 2006 in Russian and held by 440 WorldCat member libraries worldwide
Updated to the end of the Communist era in the 1970s or 1980s, tells the story of a bored housewife living in brutal conditions who resorts to murder to marry the man she wants
Paris compositions by
Sylvain Cambreling(
)
4 editions published in 2001 in German and No Linguistic content and held by 369 WorldCat member libraries worldwide
4 editions published in 2001 in German and No Linguistic content and held by 369 WorldCat member libraries worldwide
Al gran sole carico d'amore by
Luigi Nono(
)
8 editions published in 2001 in 4 languages and held by 360 WorldCat member libraries worldwide
8 editions published in 2001 in 4 languages and held by 360 WorldCat member libraries worldwide
La Clemenza di Tito by
Wolfgang Amadeus Mozart(
Visual
)
13 editions published between 1987 and 2009 in Italian and held by 356 WorldCat member libraries worldwide
Chorus and Orchestra of the Drottningholm Court Theatre, conducted by Arnold Ostman. Libretto by Caterino Mazzola, based on the text by Pietro Metasasio
13 editions published between 1987 and 2009 in Italian and held by 356 WorldCat member libraries worldwide
Chorus and Orchestra of the Drottningholm Court Theatre, conducted by Arnold Ostman. Libretto by Caterino Mazzola, based on the text by Pietro Metasasio
Rêves d'un Marco Polo by
Claude Vivier(
Visual
)
11 editions published in 2006 in Dutch and Multiple languages and held by 354 WorldCat member libraries worldwide
Kopernikus: In this mystic tale, the central character Agni calls on historical and mythical figures: Lewis Carroll, Merlin, a witch, the Queen of the Night, a blind prophet, an old monk, Tristan, Isolde, Mozart, the Lord of the Waters, Kopernikus and his mother. Marco Polo: a series of tableaux about Marco Polo, some vocal, others instrumental, which meditate on inner treasures and human suffering
11 editions published in 2006 in Dutch and Multiple languages and held by 354 WorldCat member libraries worldwide
Kopernikus: In this mystic tale, the central character Agni calls on historical and mythical figures: Lewis Carroll, Merlin, a witch, the Queen of the Night, a blind prophet, an old monk, Tristan, Isolde, Mozart, the Lord of the Waters, Kopernikus and his mother. Marco Polo: a series of tableaux about Marco Polo, some vocal, others instrumental, which meditate on inner treasures and human suffering
Cycles by
Morris Rosenzweig(
)
5 editions published between 2007 and 2008 in Italian and held by 354 WorldCat member libraries worldwide
5 editions published between 2007 and 2008 in Italian and held by 354 WorldCat member libraries worldwide
Parsifal by
Richard Wagner(
)
3 editions published in 2012 in German and held by 295 WorldCat member libraries worldwide
Wagner's mystical opera makes extraordinary demands on the conductor, but James Levine is renowned for the special affection and authority he brings to this transcendent work. The music shimmers and glows, evoking the legendary world of the Knights of the Holy Grail and the pure fool who brings healing power to the land. Peter Hofmann stars as the questing title hero, Jerome Hines sings the wise old man, Gurnemanz, and Mignon Dunn is the voluptuous Kundry, whose erotic temptations almost ensnare the young hero
3 editions published in 2012 in German and held by 295 WorldCat member libraries worldwide
Wagner's mystical opera makes extraordinary demands on the conductor, but James Levine is renowned for the special affection and authority he brings to this transcendent work. The music shimmers and glows, evoking the legendary world of the Knights of the Holy Grail and the pure fool who brings healing power to the land. Peter Hofmann stars as the questing title hero, Jerome Hines sings the wise old man, Gurnemanz, and Mignon Dunn is the voluptuous Kundry, whose erotic temptations almost ensnare the young hero
Monumentum by
Jan van Vlijmen(
)
5 editions published between 2003 and 2004 in 4 languages and held by 85 WorldCat member libraries worldwide
5 editions published between 2003 and 2004 in 4 languages and held by 85 WorldCat member libraries worldwide
Der Ring des Nibelungen, ein Bühnenfestspiel für drei Tage und einen Vorabend. by
Richard Wagner(
Visual
)
3 editions published in 2004 in German and held by 72 WorldCat member libraries worldwide
The fourth part in a unique and contemporary production of Wagner's Germanic epic, the "Ring of the Nibelung."
3 editions published in 2004 in German and held by 72 WorldCat member libraries worldwide
The fourth part in a unique and contemporary production of Wagner's Germanic epic, the "Ring of the Nibelung."
Götterdämmerung by
Richard Wagner(
Visual
)
2 editions published between 2003 and 2014 in German and held by 68 WorldCat member libraries worldwide
Performed at the Opera of Stuttgart, Twilight of the Gods, the last day of the Tetralogy, reveals another side to the Wagnerian mythology. "Four operas, four directors." The response to this singular artistic idea is Wagner's Tetralogy produced in 2000 on the stage of the Stuttgart Opera under the direction of Austrian conductor Lothar Zagrosek and filmed in 2002-2003. The Rhinegold (the Prologue) was entrusted to Joachim Schlömer, The Valkyrie to Christof Nel, Siegfried to Jossi Wieler and Sergio Morabito, and lastly the last day of the Ring, the Twilight of the Gods to Peter Konwitschny, a German of Polish extraction, a regular singer of Wagnerian works who directed Tannhäuser, Lohengrin, Tristan and The Mastersingers of Nuremberg. Iconoclastic and experimental, this Tetralogy created a sensation, until this Twilight of the Gods. Peter Konwitschny brings together characters in suits and ties and others in animal hides, which reveals the Wagnerian mythology from an ironic perspective. However, he does so to explore things in greater depth and to recapture the truth of the Wagnerian gesture and not out of gratuitous provocation. The fall of the gods and the decline of the order they embody are real, so is the emotion. Musically the conductor and the orchestra performed perfectly, and vocally the cast represented a challenge. Peter Konwitschny raises his head with joy when applauded by an audience seduced in spite of being slightly shocked
2 editions published between 2003 and 2014 in German and held by 68 WorldCat member libraries worldwide
Performed at the Opera of Stuttgart, Twilight of the Gods, the last day of the Tetralogy, reveals another side to the Wagnerian mythology. "Four operas, four directors." The response to this singular artistic idea is Wagner's Tetralogy produced in 2000 on the stage of the Stuttgart Opera under the direction of Austrian conductor Lothar Zagrosek and filmed in 2002-2003. The Rhinegold (the Prologue) was entrusted to Joachim Schlömer, The Valkyrie to Christof Nel, Siegfried to Jossi Wieler and Sergio Morabito, and lastly the last day of the Ring, the Twilight of the Gods to Peter Konwitschny, a German of Polish extraction, a regular singer of Wagnerian works who directed Tannhäuser, Lohengrin, Tristan and The Mastersingers of Nuremberg. Iconoclastic and experimental, this Tetralogy created a sensation, until this Twilight of the Gods. Peter Konwitschny brings together characters in suits and ties and others in animal hides, which reveals the Wagnerian mythology from an ironic perspective. However, he does so to explore things in greater depth and to recapture the truth of the Wagnerian gesture and not out of gratuitous provocation. The fall of the gods and the decline of the order they embody are real, so is the emotion. Musically the conductor and the orchestra performed perfectly, and vocally the cast represented a challenge. Peter Konwitschny raises his head with joy when applauded by an audience seduced in spite of being slightly shocked
Lady Macbeth of Mtsensk by
Dmitriĭ Dmitrievich Shostakovich(
Visual
)
1 edition published in 2006 in Russian and held by 67 WorldCat member libraries worldwide
Shostakovich's subversive opera directed for stage by Martin Kušej for the composer's 100th birthday! Featuring the Dutch soprano Eva-Maria Westbroek in the title role, and making her long awaited debut at Der Nederlandse Opera! In Shostakovich's second opera, the tedium of everyday Russian life determines the fate of protagonist Katerina Ismailova. It is a work about the irrepressible nature of sexual urges, about erotic deeds of violence and liberation. Some of the scenes reached an unheard-of level of explicitness and were likely to have shocked the first audiences, but the work as a whole is an ode to love. The composer employs a polymorphic style with a wide variety of collage-like elements, but classical structures are clearly recognizable as well. The work's initial success was silenced by the publication of an official denunciation of the opera in the official Communist Party newspaper Pravda; this attack heralded a merciless, widespread and long-lasting idealistic clampdown on the Soviet music world. In 2006, Der Nederlandse Opera in Amsterdam programmed Shostakovich's Lady Macbeth of Mtsensk in commemoration of the 100th anniversary of the composer's birth. Mariss Jansons, chief conductor of the Royal Concertgebouw Orchestra, and one of the best-known conductors for Shostakovich's scores, made here his first appearance as guest conductor at DNO. This new production was directed for stage by the Austrian Martin Kušej, who belongs to the new generation of stage and opera directors, having made a name for himself at the Salzburger Festspiele and Staatstheater Stuttgart. While the divine soprano Eva-Maria Westbroek makes her debuts at the DNO as Katerina Lvovna Ismailova, the opera's veterans take the remaining lead roles: the Russian bass Anatoly Kotcherga (Boris Timofeyevich Ismailov), the Slovak tenor Ludovit Ludha (Zinovy Borisovich Ismailov) and the British tenor Christopher Ventris (Sergei)
1 edition published in 2006 in Russian and held by 67 WorldCat member libraries worldwide
Shostakovich's subversive opera directed for stage by Martin Kušej for the composer's 100th birthday! Featuring the Dutch soprano Eva-Maria Westbroek in the title role, and making her long awaited debut at Der Nederlandse Opera! In Shostakovich's second opera, the tedium of everyday Russian life determines the fate of protagonist Katerina Ismailova. It is a work about the irrepressible nature of sexual urges, about erotic deeds of violence and liberation. Some of the scenes reached an unheard-of level of explicitness and were likely to have shocked the first audiences, but the work as a whole is an ode to love. The composer employs a polymorphic style with a wide variety of collage-like elements, but classical structures are clearly recognizable as well. The work's initial success was silenced by the publication of an official denunciation of the opera in the official Communist Party newspaper Pravda; this attack heralded a merciless, widespread and long-lasting idealistic clampdown on the Soviet music world. In 2006, Der Nederlandse Opera in Amsterdam programmed Shostakovich's Lady Macbeth of Mtsensk in commemoration of the 100th anniversary of the composer's birth. Mariss Jansons, chief conductor of the Royal Concertgebouw Orchestra, and one of the best-known conductors for Shostakovich's scores, made here his first appearance as guest conductor at DNO. This new production was directed for stage by the Austrian Martin Kušej, who belongs to the new generation of stage and opera directors, having made a name for himself at the Salzburger Festspiele and Staatstheater Stuttgart. While the divine soprano Eva-Maria Westbroek makes her debuts at the DNO as Katerina Lvovna Ismailova, the opera's veterans take the remaining lead roles: the Russian bass Anatoly Kotcherga (Boris Timofeyevich Ismailov), the Slovak tenor Ludovit Ludha (Zinovy Borisovich Ismailov) and the British tenor Christopher Ventris (Sergei)
La finta giardiniera : [dramma giocoso in tre atti, KV 196] by
Wolfgang Amadeus Mozart(
Recording
)
7 editions published between 1990 and 2006 in 3 languages and held by 53 WorldCat member libraries worldwide
7 editions published between 1990 and 2006 in 3 languages and held by 53 WorldCat member libraries worldwide
La finta giardiniera by
Wolfgang Amadeus Mozart(
Recording
)
11 editions published between 1989 and 2004 in Italian and Undetermined and held by 49 WorldCat member libraries worldwide
La Finta giardiniera: Dramma giocoso in tre atti, KV 196. Libretto: Giuseppe Petrosellini
11 editions published between 1989 and 2004 in Italian and Undetermined and held by 49 WorldCat member libraries worldwide
La Finta giardiniera: Dramma giocoso in tre atti, KV 196. Libretto: Giuseppe Petrosellini
La finta giardiniera : dramma giocoso in tre atti, KV 196 by
Wolfgang Amadeus Mozart(
Recording
)
5 editions published between 2002 and 2006 in Italian and Undetermined and held by 37 WorldCat member libraries worldwide
5 editions published between 2002 and 2006 in Italian and Undetermined and held by 37 WorldCat member libraries worldwide
Operas by
Wolfgang Amadeus Mozart(
Recording
)
1 edition published in 2005 and held by 27 WorldCat member libraries worldwide
1 edition published in 2005 and held by 27 WorldCat member libraries worldwide
La finta giardiniera. Dramma giocoso in tre atti KV 196 by
Wolfgang Amadeus Mozart(
Recording
)
4 editions published between 2000 and 2006 in No Linguistic content and Italian and held by 20 WorldCat member libraries worldwide
4 editions published between 2000 and 2006 in No Linguistic content and Italian and held by 20 WorldCat member libraries worldwide
La finta giardiniera. Dramma giocoso in tre atti KV 196 by
Wolfgang Amadeus Mozart(
Recording
)
4 editions published between 2000 and 2006 in No Linguistic content and Italian and held by 19 WorldCat member libraries worldwide
4 editions published between 2000 and 2006 in No Linguistic content and Italian and held by 19 WorldCat member libraries worldwide
Der Ring des Nibelungen : ein Bühnenfestspiel für drei Tage und einen Vorabend(
Visual
)
2 editions published between 2004 and 2008 in German and held by 19 WorldCat member libraries worldwide
Cycle of four operas based on Germanic and Scandinavian mythology
2 editions published between 2004 and 2008 in German and held by 19 WorldCat member libraries worldwide
Cycle of four operas based on Germanic and Scandinavian mythology
Les contes d'Hoffmann : opéra fantastique(
Visual
)
1 edition published in 2015 in French and held by 11 WorldCat member libraries worldwide
1 edition published in 2015 in French and held by 11 WorldCat member libraries worldwide
more
fewer
Audience Level
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Related Identities
- Cambreling, Sylvain Conductor Performer
- SWR Sinfonieorchester Baden-Baden und Freiburg Performer Instrumentalist
- Mozart, Wolfgang Amadeus 1756-1791 Creator Author Musician Composer
- Vaneev, Vladimir Other Performer
- Nederlands Operakoor Other Performer
- Jar, Valentin Performer
- Vassiliev, Alexander 1971- Performer
- Berlioz, Hector 1803-1869 Author Composer
- Aikin, Laura Singer Performer
- SWR Vokalensemble Stuttgart Performer
Useful Links
Associated Subjects
Avant-garde (Music) Choral music Choruses, Sacred (Mixed voices) with orchestra Choruses, Secular (Mixed voices, 4 parts) with piano Choruses, Secular (Mixed voices) with orchestra Germany Grail Incidental music Instrumental music Live sound recordings Man-woman relationships Music New York (State)--New York Nibelungen Opera Operas Operas--Analysis, appreciation Operas--Excerpts Operas--Excerpts, Arranged Operas--Librettos Operas--Piano scores (4 hands) Orchestral music Orchestral music, Arranged Overtures Parsifal (Wagner, Richard) Perceval--(Legendary character) Piano music Piano music (4 hands), Arranged Poetry Polo, Marco, Song cycles Songs (High voice) with orchestra Songs (Medium voice) with orchestra Songs (Medium voice) with piano Suites (Piano) Symphonies Szymborska, Wisława Titus,--Emperor of Rome, Vivier, Claude, Vocal duets with orchestra Vocal music Wagner, Richard,